The second problem was that the three Miss Dashwood's would have had little or no dowry with which to entice a suitable husband.
This is also an integral part of the beginning of the story of Sense and Sensibility. The reader learns that part of the reason the father is unable to leave his second family much of an inheritance is because much of the money he had was from the dowry received from his first wife. Being as such, the money which would have already gone to a male relative, was much more so, because the young Mr. Dashwood is the first wife's son.
The dowry situation causes even more problems for the young Miss Dashwood's because they now have to depend on other means to entice a husband. It is much easier to understand Elinor's firm beliefs in self-control and proper social decorum given these circumstances. She understood that it is now by means of her ability to refrain from emotional outburst and selfishness that she may still be able to marry someone of adequate means to support her.
Women in society were taught to keep their opinions under wraps in order to be seen as amiable to others in society. In the late eighteenth century there were many books written and published on manners and social grace and the women of society took these ideals very seriously. They knew that is was seen by others as a flaw to be too emotional or too opinionated.
The keeping of personal opinions was tolerated by most, while the women were young and single, but once a women wanted to marry she understood that society expected her to keep those same opinions to herself.
Emma is an example of this. She is young and often frivolous and is indulged by her father because she cares for him, so she is able to speak her mind and have some amount of free will.
Emma also manages to put herself in other peoples business and interfere, but it is seen as somewhat entertaining because she has yet the responsibilities of a family and children. But once a woman was to marry, she would no longer have the frivolity of single youth and would have been expected to by society to carry herself with grace, decorum, and self-control.
In Sense and Sensibility, we also see examples of how self-control is an issue in society. Marianne does not believe in tempering her emotions, and because of that does not try to keep her feeling for Willoughby a secret. The two believe that the people who keep everything hidden are the ones who are full of folly. Marianne is the opposite of her composed, controlled sister Elinor.
Elinor is the one in the family who is rational and thoughtful. She knows what is expected of her by the social restrictritions placed upon her and willingly follows these rules.
It is usually to her favor that she acts in such a manner. She is able to remain levelheaded and steer the family in the proper direction after her father passed away, and because of her amiable disposition she is befriended by many. It is because of her quiet reserved nature that Edward was initially interested in her and this proves to be one of the main similarities between them. They both want to do what is seen in society as being "right". Love is also another key concept in these three novels, but also love with strings attached, as in love in concordance with security.
There is a modern saying "it is just as easy to fall in love with a rich man as it is a poor man", and in upper class Eighteenth century England, even more so. It was in the best interests of everyone in the family for a daughter to marry a wealthy man. In Pride and Prejudice even more so, because of the impending inheritance of the Bennet estate by the rightful heir, the cousin, Rev. In the novel, Mrs.
Bennet spends all of her time planning and concocting ways for her daughters to meet available suitors. And although at first her actions seem frivolous and selfish, it is easier to understand that her desperation in finding suitable husbands for all of her five daughters in not unconfounded.
Given the limited resources, as far as eligible bachelors in the immediate vicinity, it becomes quite clear that Mrs. Bennet is a woman with a very real purpose. She is often brash and an embarrassment to her family, but in reality it was a necessary evil.
Given these circumstances it is also clear why Mrs. Bennet is so upset by the refusal of the marriage proposal by Rev. Bennet thought that she had made matches for two of the five daughters by having Elizabeth betrothed to Rev.
Collins and Jane nearly so to Mr. And second, with Elizabeth's marriage to Rev. Collins, the estate would remain in the family and Mrs. Bennet would be able to remain in her home. There is also a matchmaker or two in each of the three novels. In Pride and Prejudice is of course the scheming Mrs.
Bennet, in Emma is Emma herself, and in Sense and Sensibility the most prominent matchmaker is the entertaining Mrs. Bennet's reasons for matchmaking are quite clear. It is a necessity that her daughters marry, because there is no male heir in the family to retain the property. Bennet is indeed quite ignorant of many things, she realizes that it is her responsibility to make sure that her daughters will be well cared for after the death of their beloved father. Also, of course Mrs. Bennet has her own selfish motives involved in the matchmaking, because it is also her future that is dependent on the marriage success of her daughters, but it is clear that Mrs.
Bennet does care about her children and only wishes the best for them. In Emma, Emma's matchmaking seems to come out of want instead of necessity.
Emma is a young woman who should be worried about her own marriage and future, but she is more interested in making suitable matches for her friends, most notably the illegitimate Harriet. She takes Harriet on as a project and tries to introduce her into society and have her marry a clergyman, which only comes to disastrous results.
Emma is really the only character in each of the three novels that goes against the societal views of marriage to someone of equal social standing. She is set on marry Harriet to a man of social class even though Harriet's decent is unknown. Emma convinces herself and tries to convince others that Harriet could have indeed come from some upper classed people even though she has no proof to back up her theory. All of the other matchmakers try to keep within the normal social realm of marrying within the same social class, even though they are always trying to find the richest bachelor, they do not push themselves into a class above, which they belong.
Most often, the matchmakers of the time were already married women who took it upon themselves to see that a proper suitor was found for unmarried friends or relatives. This was the socially accepted standard for introduction into society. In Pride and Prejudice we see Mrs. Jennings playing the role of matchmaker to Elinor and Marianne when she takes the two of them along with her to London for a visit. While there, the two girls accompany her to dances and social gatherings with other people of society in order to be introduced to eligible bachelors.
This was the life of an unmarried society young lady, going to balls and dances, meeting at other peoples houses for games and cards, and strolling through town in search of a mate. Log In Sign Up. Jane Austen's Persuasion II: Notes for September The conclusion of my notes for our first meeting returned us to their major point: The result is they lose authority.
Jane Austen gives us both sides: In Persuasion, the emptiness of the social hierarchy is the starting point: In the last Chapter xxiv he is condemned by the standards of the Prayer Book Catechism: Anne maintains that she was right to obey Lady Russell, though she now thinks Russell was wrong and is explicit that she herself would not now give the same direction. To honour and obey the Queen, and all that are put in authority under her: To submit myself to all my governors, teachers, spiritual pastors and masters: It makes all others unimportant.
On serious subjects she was well-instructed, both by reading and meditation, and her opinions accorded strictly with those of our Established Church. The religious fear comes out explicitly in the repentance of Marianne in Sense and Sensibility, Chapter xlv: Thus the legitimate ruler by hereditary right and the power actually in possession were opposed.
Willoughby's Apology in the context of Jane Austen's religious beliefs. Music and class in Jane Austen. Scholarly interest both in the place of music and musicianship in her fiction and in her surviving music Scholarly interest both in the place of music and musicianship in her fiction and in her surviving music collections, is longstanding, with critical attention increasing markedly over the past decade.
Music in eighteenth- and nineteenth-century Britain was certainly very class-based, as well as being divided on gender lines.
Who Tells Your Story? British Imperialism and Adaptation. This course seeks to understand adaptation as a method of critical engagement, part of a series of conversations between texts, readers, and scholars. Yet this impulse to rewrite the past is not a new one: We will read eighteenth-century adaptations with their literary sources to think about questions of genre, language, and culture.
In what ways do different genres interpret the same story, and to what effects? How does genre crossing relate to border crossings? As questions of race and migration continue to focus both political and cultural interest, we will also look at contemporary adaptations of eighteenth-century texts to think about the the period in our own cultural imagination.
What makes a text canonical and how does that change our relationship to it? How does our contemporary understanding of adaptation relate to eighteenth-century adaptations? How do writers and artists use the eighteenth century to think through contemporary concerns? Its aim is to present some features of conversion as Its aim is to present some features of conversion as represented over about twenty-five hundred years in the pagan and Christian west in a way which may prove illumining because not expected.
Rather than looking at conversion as primarily a religious phenomenon, though not leaving this out, I shall mainly present it as psychic, ontological, and secular.
The elements touched on from Plato and his Late Ancient and Medieval successors will largely be determined by what is modified or suppressed by our cast of English novelists. Jane Austen is a modern Sophocles in his difference from Euripides and Aeschylus. Indeed, there is a sense in which her novels are the deepest treatments of conversion in the genre.
Jane Austen Research Papers Jane Austen research papers examine her life and best known works. Jane Austen research papers are common for American Literature courses because of the influence the famous writer had on illustrating Victorian era sensibilities in her work. Have Paper Masters custom write your research papers on Austen .
A List Of Thought-Provoking Research Paper Topics About Jane Austen. Jane Austen is often named “the First Lady of the English literature”. Her novels are known in the world; they have been translated into many languages and filmed for many times.
Free research papers, free research paper samples and free example research projects on Jane Austen topics are plagiarized. filefreevd.tk is professional research paper writing service which is committed to write top-quality custom research papers, term papers, essays, thesis papers and dissertations. May 16, · Research Paper on Jane Austen In Jane Austen 's novels, Sense and Sensibility, Pride and Prejudice, and Emma she describes how a women's fate is largely dependent on social status. Austen had a keen sense of observation and was able to describe, throughout all three of these works, the lives of upper class women in the .
In Jane Austen's novel 'Emma', written in , the heroine expresses a liking for spruce beer, an alcoholic drink flavoured with an essence made from spruce trees, and a beverage Austen is known to have brewed herself, when she was staying in Southampton at the home of her brother Frank. Use of Satire in Pride and Prejudice, by Jane Austen - Pride and Prejudice is a novel of manners by Jane Austen, published in This story follows the main character Elizabeth, as she deals with issues of manners, upbringing, and marriage in the society of early 19th-century England.